Thursday, April 29, 2010

Film Sense !

Etching a memory unto you

Film is a surface poetry to someone who narrates life in the edges of camera, it becomes a metaphysical fiction for another one who loves the diagonal lives of actors and vectors of emotions. It is a sense and kinesthetic for a formalist who speaks a new language and develops a new genre of thought in the dimensionality of a celluloid chemistry. For a dialectic philosopher and critique, it is nothing but a process to integrate semiotic symbols to form a new dynamics of semantic species. Above all, it is deeply ideological an apparatus for all the preceptors and specters who are nothing but the users and consumers of this medium out of their innate bio psychophysical urge to dream their madness in the limited scopes of their true-lie dialectique.

Thus Film sense is a dialectical transformation from unbounded grammar of poetry to a bounded imagery of complex planes. There evolves a revolt of thought processes over cognitive permutations. Perception meets ideology over the realms of vision and consciousness. It breaks barriers between semantic poetry and cerebral communication. It demands the chords of active script and strikes of punching music. In total Cinema creates an experience of chaotic sensibilities over a circular memory of time.

Tuesday, April 27, 2010

Essential Aesthetics

Rhyming with a Poet ...


How poetry is born and attract readers of different taste and tenors ? It is a question worth a dissection of emotive and social pursuits in and out of mental realms. When you coin a word into a poetic format, it need to satisfy your needs of expression. It could be seen that poetic structure is emotion condensed and we can see a sense of externalizing emotions in the poetic rhythm. This sort of rhythm is the trace of a collective consciousness embed in the lattice of speech structures. Human sense of collective sensibility reflects in the instinct and inspiration for poetry; same reflects in the poetic rhythm and style. Each word is not only rhythmic in utterance, it is placed based on the coherence of poets mind with the society. As observed by Caudwell, man's primitive tendency to wander through the nature and objectify their experiences reflects in poetry. 

Poet wanders through his innate speech spaces which are nothing but words and meanings etched by his social relations and positions in class struggle as Individual as a collective being. Our primitive vagabond nature has been transformed over ages; it was through the wilderness of nature in the Greek and Mesopotamian era whereas now Man is more complex and is exploring the wilderness in their own mind. So it is nothing but a  realization that mind is a second or secondary nature for our primitive instincts.This realization has been achieved through our social transformations cultivated in the era of capitalism and its individualism which is nothing but an ideological position of the hegemonic class to justify the alienation of the labour.It can be related to the freedom of man to evaluate and relate themselves with the material objects which are their essence expatriated by the process of capitalist production system. 

So freedom is relative here. It is liberalizing and chaining on two ends of the labour process. This state of contradiction inspires man to relate experiences from individual perceptions. Yet this is never a snow wall against the primitive nature of man. It breaks the limits of Individual experience in the form of myths which carries the energy of history as collective symbols. In the same frame, we need to see that poetry has become man's relation with material objects of expression where the dominant tendency is to speak aloud and be once again. It is not much polyphonic as we see in the organics of a novel. It is more of a harmony of primitive music where man is craving to unite the contradicting senses into one perception. In that end, we can see poetry more of a child-like instinct than the rebellious nature of novel. 

ജീര്‍ണലിസം !!

എന്താണ് പത്രപ്രവര്‍ത്തനം ?

സത്യം ചോദിക്കുന്ന ഒരു സംസ്കാരത്തിന്‍റെ തൊഴിലാണ് പത്രപ്രവര്‍ത്തനം. ഇന്ന് പത്രപ്രവര്‍ത്തകര്‍ക്ക് സത്യസന്ധതയെക്കാള്‍ ആവശ്യം സര്‍ഗാത്മകത ആണെന്ന് അധ്യാപകര്‍ പറയുമ്പോള്‍ അവിടെ പല വഴികളും തെറ്റുകലാനെന്നു തിരിച്ചറിയണം.   അസത്യം സര്‍ഗാത്മകതയുടെ ആവരണത്തില്‍ വിതരണം ചെയ്യുമ്പോള്‍ മുതലാളിമാരും അവരുടെ സ്ഥാപിത താത്പര്യങ്ങളും സംരക്ഷിക്കപെടുന്നു. തൊഴിലാളിക്ക് പാരിതോഷികങ്ങളും. ഈ ദൂഷിത വലയം വ്യാപിക്കുകയാണ്. പത്രപ്രവര്‍ത്തകര്‍ക്ക് രാഷ്ട്രീയ വൃത്തങ്ങളില്‍ കൂടുതല്‍ സ്വീകാര്യത ലഭിക്കുമ്പോള്‍ പ്രലോഭനങ്ങളും കൂടുകയാണ്. കൂടുതല്‍ വേഗത്തില്‍ നിങ്ങളുടെ തലച്ചോറിനെ അടിമചോരാക്കാനുള്ള വഴികള്‍ തുറക്കുകയാണ്. പകച്ചു നില്‍ക്കുന്നവര്‍ അനേകം. ജോര്‍ജ് ഓര്‍വെല്‍ ഈ കാലത്തില്‍ നമുക്ക് നല്ല മാതൃകയാണ്. ലോകം മുഴുവന്‍ സത്യസന്ധതയോടെ പത്രപ്രവര്‍ത്തനം നടത്തിയ അദ്ദേഹത്തിന്റെ നാള്‍ വഴികള്‍ നമുക്കോര്‍ക്കാം...

Wednesday, April 14, 2010

Artist@Work

Poetry can be visual too ... It can rhyme in shades and shadows ...
Therefore a moving collage !

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